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421 pages

The Camera Assistant, A Complete Professional Handbook

Creator: Douglas Hart | Performing Arts - 2015-03-05

Figure 7-3 Arriflex Lens Mount. Arriflex has had three mounts in their history; the Standard mount is pretty much gone except for some elderly, privately owned cameras and lenses; the Bayonet is being phased out in favor of the PL mount in  ...

Publisher: CRC Press

About this book
Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Complete Professional Handbook explains both the practice and theory behind it with a concentration on technique rather than equipment. In addition, personal anecdotes from the author's years behind and beside the camera provide insight into this demanding field. Key topics include film formats and aspect ratios, testing lenses and camera equipment, focus theory, film loading and labeling, scene blocking, marking actors, shooting tips, slating, paperwork, equipment maintenance, set etiquette, and finding work. This is not a camera equipment handbook; it is a comprehensive procedures manual which describes and explains the most important responsibilities of the camera assistant on the set, the theory behind the practice, and the methods that get the job done properly and keep the assistant frequently employed. Douglas C. Hart has been a freelance first-camera assistant on feature films, documentaries, television shows, and commercials for more than 20 years, including 10 years (and 10 films) as first-camera assistant to Gordon Willis, ASC, as well as work in 42 states and 26 foreign countries. His work includes Presumed Innocent, Hannah and Her Sisters, The Cosby Mysteries, and CBS's Central Park West. He is a member and former president of the International Photographers Local 644, IATSE, and teaches the Camera Assistant Workshops at the International Film and Television Workshops in Rockport, Maine.



498 pages

Digital Cinematography, Fundamentals, Tools, Techniques, and Workflows

Creator: David Stump | Performing Arts - 2014-03-21

The 19–90mm Cabrio (ZK4.7x19) PL Mount Zoom features a detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENGStyle lens. With a 19–90mm focal range, a wide-open T-stop of 2.9, and a weight of 2.7  ...

Publisher: CRC Press

About this book
First published in 2014. Routledge is an imprint of Taylor & Francis, an informa company.



349 pages

Shooting Movies Without Shooting Yourself in the Foot, Becoming a Cinematographer

Creator: Jack Anderson | ART - 2011

With a twist-lock bayonet, insert the lens into the camera, then twist the lens to seat it. You'll hear a click. Again, try to pull the lens out. If it's locked in, you're good to go. The most common modern lens mount is a variation on the PL mount.

Publisher: Taylor & Francis

About this book
1 INTRODUCTION. -- Part 1: REALITIES OF PRE-PRODUCTION: 2 WHAT'S FIRST?: 2a FIRST EXERCISE: SHOOTING STILLS?; 2b WHAT YOU SHOULD LEARN FROM THE STILL PHOTOGRAPH EXERCISE. -- 3 WE'RE STILL READING THE SCRIPT. -- 4 A FEW MORE THINGS TO THINK OF. -- 5 SHOT LIST. -- 6 CREW. -- 7 LOCATIONS. -- 8 SELECTING A CAMERA. -- 9 SELECTING THE LENS. -- 10 SELECTING FILM STOCK. -- 11 SELECTING A TRIPOD AND HEAD. -- 12 WHAT EVERYONE ELSE IS DOING TO PREP. -- 13 THE NIGHT BEFORE. -- Part 2: PRODUCTION: 14 ON TIME AND READY TO SHOOT. -- 15 FIRST DAY/ FIRST SHOT. -- 16 SHOOTING MASTERS. -- 17 CLOSE-UPS AND COVERAGE: 17a SECOND EXERCISE: THE STANDARD SHOTS; 17b WHAT YOU SHOULD HAVE LEARNED FROM THE STANDARD SHOTS EXERCISE. -- 18 OPERATING THE CAMERA: 18a THIRD EXERCISE: OPERATING SKILLS; 18b WHAT YOU SHOULD HAVE LEARNED FROM THE OPERATING EXERCISES. -- 19 STILL MORE COMPOSITION or FOLLOW THE MONEY: 19a FIRST MOVIE EXERCISE: VISUAL STORYTELLING EDITED IN THE CAMERA; 19b WHAT YOU SHOULD HAVE LEARNED FROM THE EDITED-IN-THE-CAMERA EXERCISE. -- 20 THE HORROR OF THE 180o LINE. -- 21 THE GOOD, THE BAD, AND THE UGLY (Not necessarily in that order). -- 22 LEARNING THE HARDWARE. -- 23 WHY WE LIGHT. -- 24 EXPOSURE: 24a LIGHTING EXERCISE # 1 EMULSION TEST; 24b LIGHTING EXERCISE # 2 DIRECTION OF LIGHT; 24c LIGHTING EXERCISE # 3 QUALITY OF LIGHT; HOW DOES LIGHT VARY IN QUALITY?; 24d LIGHTING EXERCISE # 4 LIGHTING THE FACE, THE GREAT LANDSCAPE. -- 25 EXERCISE: SHOOTING YOUR PROJECT ON FILM: 25a WHAT YOU SHOULD HAVE LEARNED FROM THE SHOOTING ON FILM EXERCISE. -- Part 3: POST-PRODUCTION: 26 POST-PRODUCTION: TIMING AND TRANSFERRING. -- 27 POST-PRODUCTION: PUTTING TOGETHER A REEL. -- Part 4: TECHNICALITIES: 28 CAMERAS: BLACK BOXES. -- 29 LENSES: 29a THE ZEN OF FOCUSING; 29b THE MAGIC OF FILTERS. -- 30 FILM. -- 31 COLOR TEMPERATURE. -- 32 USING AND HANDLING FILM CAMERAS AND LENSES. -- 33 USING A TRIPOD AND HEAD. -- 34 THE DOLLY GRIP. -- 35 LABORATORY.


Lenses and Filters Directory

Lens mount - Wikipedia
A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body ...

Arri PL - Wikipedia
Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock". It is the successor mount to the Arri ...

Tokina EF to PL mount. A world first… With a few catches ...
Tokina were showing a Canon EF to PL mount 1.6x expander that is designed to allow you to use manual aperture Canon EF mount lenses on PL mount cameras.

Ultimate Guide to Sony Lens Adapters
Ultimate Guide to the Best Lens Mount Adapters for Sony E-mount cameras including Sony A7, A7R, A7S, A7II, A6000, A5100, A5000 & NEX still and video cameras

Guide to Sony a7 a7R a7S a7II a7RII a7SII Lens Adapters ...
Ultimate guide to lens mount adapters for Leica R, Contax, Minolta, Canon & Hasselblad lenses on Sony a7 a7R a7S a7II a7RII a7SII mirrorless E-mount cameras


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