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Pl Mount Lens - Lenses and




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Pl Mount Lens - Bookshelf


368 pages

Shooting Movies Without Shooting Yourself in the Foot, Becoming a Cinematographer

Creator: Jack Anderson | 2011-08-19

Again, try to pull the lens out. If it's locked in, you're good to go. The most common modern lens mount is a variation on the PL mount. PL stands for positive lock, and it is. (Strictly speaking, only Arri and its licensees use PL ...

Publisher: Focal Press

About this book
Shooting Movies is the book for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. The book approaches the subject of cinematography from a “hands-on, in the trenches” viewpoint, as though the reader were an apprentice on the set. It's a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It's a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes.• Provides a mentorship-in-a-book approach not found any of the other technical guides to cinematography, using both film and video exercises• Written for filmmakers working on a budget• Unique exercises throughout the book provide the reader with an interactive experience that will give them a higher level of expertise and will improve the quality of their shooting, lighting, and reel--all on a budget• Learn the realty of filmmaking from the cinematographer's perspective• Companion website showcases video samples, visual demonstrations of the exercises in the book, and further video explanations of the concepts that are better explained visually



432 pages

The Dslr Filmmaker's Handbook, Real-World Production Techniques

Creator: Barry Andersson, Janie L. Geyen | Photography - 2011-11-30

Also, you need a special lens mount that is custom made and very hard to get your hands on. ... There is no way to use an adapter to mount a Canon lens onto a Nikon camera body. PL is a lens mount developed by Arri for use with both ...

Publisher: Sybex

About this book
A how-to guide for getting professional-quality video from your DSLRShooting HD Video with a video-enabled DSLR has many benefits and some tricky drawbacks that digital filmmakers and videographers can overcome to get professional results. "The DSLR Filmmaker's Handbook" helps filmmakers harness the HD video capabilities of their DSLRs to create professional-level video. Packed with professionally-tested techniques, this indispensible book serves as a training guide for the complex steps that must be taken before, during, and after filming. Teaches you the key tools and techniques for using your DSLR to shoot high-quality, professional-level videoDistills dense information about filmmaking and filters it down to easily understood granulesShows you what to expect and what to avoid with your DSLR and how to maximize the visual look of your filmShares tools and techniques that have been used in real-world, independent movie-making environments"The DSLR Filmmaker's Handbook" shows you how to overcome any tricky drawbacks that you may face while shooting HD video with your DSLR.



339 pages

Red, The Ultimate Guide to Using the Revolutionary Camera

Creator: Noah Kadner | Photography - 2009-08-31

You need a lens adaptorto convertthe RED's native PL-mount lens to the mount ofyour Canon or Nikon (covered next). TIP Watch out for still lenses billed as “ digitalonly,” such as the Nikon DX series and the Canon EF-S lenses.

About this book
With the release of the RED ONE" digital cinema camera, the possibility of recording stunning, cinematic-quality images with an affordable camera became a reality. Now that the industry has embraced the nascent technology and added new tools and workflows, filmmakers-from independents on up-are leading the charge on establishing new rules. Here to guide newcomers and RED veterans alike, popular trainer and filmmaker Noah Kadner picks up where the manual leaves off. You've got the basic operations down and now you'll learn how to use the camera in a production environment and discover the various options in post. Using a clear, objective approach, he offers best-practice advice on utilizing RED's proprietary tools, explains the workflows for Final Cut Studio, Avid, and Premiere Pro, and gives workaround solutions where needed. Well-known filmmakers and industry leaders share their own bleeding-edge production methodologies throughout, offering a rare view into this exciting new world of filmmaking. Here are just a few things you'll learn to do: "Build a RED package that fits your budget "Set up for sound recording and learn which audio tools to use "Achieve the optimal exposure using RED's onboard tools and external gear "Edit your footage with step-by-step instructions for Avid, Final Cut Pro, and Premiere Pro "Work color correction into your HD, film, or Web projects "Prep your project for output and archive your footage "Learn from pros such as Rodney Charters, ASC (DP, 24), Simon Duggan, ACS (DP, Knowing), Albert Hughes (Director, The Book of Eli), and many others using RED "Stay up-to-date and download additional resources at the companion Web site at www.peachpit.com/red "If you want to dive in and starting using the RED, look no further. This book is the next best thing to having a top-notch production crew with RED experts working by your side." -Arthur Albert, Director of Photography, ER "An essential guide loaded with knowledge, I recommend it as the first purchase for any filmmaker who is thinking about owning or currently owns the RED." -Rodney Charters, ASC, Director of Photography, 24 "If you're planning to shoot with the RED camera, this is the book to get!" -Rob Cohen, Director, The Fast and the Furious "Noah Kadner takes the best practices of using the RED camera and shares them with the rest of us in this indispensable guide." -Simon Duggan, ACS, Director of Photography, Live Free or Die Hard, Knowing "Written in an easy-to-follow style, yet thorough in covering everything from production to postproduction to making money from your investment, this is a book that should be on every filmmaker's desk and in their kit bag." -Norman Hollyn, Film Editor, Instructor, and author of The Lean Forward Moment "If you want to see how the pros are using the RED camera, you need this book." -Nancy Schreiber, ASC, Cinematographer, Every Day


Lenses and Filters Directory

16x9 Inc. Cine Lens Mount (PL to Sony E Mount) 169-CLM-PLE B&H
The 16x9 Inc Cine Lens Mount (PL to Sony E Mount) allows you to attach PL mount cinema lenses to Sony E-mount cameras with digital sensors. It is compatible with ...

Sony B4 and PL-Mount Lens Adapter Kit for PMW-F5 / F55
The Sony B4 and PL-Mount Lens Adapter Kit for PMW-F5 / F55 allows you use 2/3" B4 lenses with the Sony PMW-F5 or F55 camera. The kit includes the B4S16PL B4 to PL ...

Arri PL - Wikipedia, the free encyclopedia
Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock". It is the successor mount to the Arri ...

Lens mount - Wikipedia, the free encyclopedia
A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body ...

PL Mount VS EF Mount at DVinfo.net
Introduced by Arri, the PL mount is probably the main mount used on 35mm & Super 16 film cameras. It's use has been carried over onto professional single sensor ...


ADVANCED PRODUCT FINDER

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Editor's picks

  • Fotodiox

    Fotodiox Pro Lens Mount Adapter, Arri PL Mount Lens to Micro 4/3 Camera Camcorder Adapter, fits for Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, Panasonic AG-AF100, fits all Zeiss, Cooke and others

    Photography (Fotodiox)

    Premium Grade Fotodiox "Pro" Adapter
    "No Play" Adapter
    Top Notch Craftsmanship
    24 Month Manufacture Warranty
    Infinity Focus Guaranteed


  • Zeiss

    Zeiss Compact Prime CP.2 25mm/T2.1 T (Feet) Lens with PL Bayonet Mount

    Photography (Zeiss)


  • Neewer

    25mm f/1.4 C Mount CCTV Lens for Sony NEX-3 NEX-5 C-NEX & Canon, Nikon, Olympus EP-1, E-P2, E-PL1, Panasonic G, GH, GF C-M4/3

    Photography (Neewer)

    Rating (10 reviews):
    (3.3/5)
    Neewer

    The right price for a helluva fun lens

    0 5/5 Baroquebloke - See all my reviews Verified Purchase(What's this?) This review is from: 25mm f/1.4 C Mount CCTV Lens for Sony NEX-3 NEX-5 C-NEX & Canon, Nikon, Olympus EP-1, E-P2, E-PL1, Panasonic G, GH, GF C-M4/3 (Electronics) I bought this lens and an adapter for my Nikon V1 as I was having trouble finding motivation to get out and shoot having just relocated. I desperately wanted to get the 32 1.2 but have nowhere near the 800+ bucs to drop. So, after reading some interesting reviews I went for this tiny lens.And WOW. No, by modern lens standards, this lens is actually quite terrible. You can't really call it sharp. At all. but the results are fun and funky and can be very visually cool.I HIGHLY recommend this for anyone that likes to take artsy, funky shots. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , August 4, 2013

    Does Not cover enough of an APS-C sensor & Vignettes Really bad, Other than that the lens is Nice & ...

    0 2/5 JChapel514 - See all my reviews This review is from: 25mm f/1.4 C Mount CCTV Lens for Sony NEX-3 NEX-5 C-NEX & Canon, Nikon, Olympus EP-1, E-P2, E-PL1, Panasonic G, GH, GF C-M4/3 (Electronics) Unlike the other Fotasy Lens, Being the 35/f1.6, the 35/f1.7 & the 50/1.4, this lens the 25/1.4 has a overall smaller diameter that on the same Fotasy too Nex C-Mount adapter, Does Not cover enough of an APS-C sensor & Vignettes Really bad, Other than that the lens is Nice & Usable, I do not see this as being a problem for Micro 4/3 sensor cameras, But definitely a large shadow area on All sony e-Mounts with APS-C, so I can not recommend it for that reason too any Sony APS-C camera users. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , April 13, 2015

    Great service and..

    0 4/5 Amazon Customer gracies mom "sunnyside44" - See all my reviews, February 7, 2014
    List Price: $29.90


  • Fotodiox

    Fotodiox Pro Lens Mount Adapter, Arri PL Mount Lens to Sony NEX Camera Camcorder Adapter, fits Sony NEX-3, NEX-5, NEX-5N, NEX-7, NEX-7N, NEX-C3, NEX-F3, Sony Camcorder NEX-VG10, VG20, FS-100, FS-700, fits all Zeiss, Cooke and others

    Photography (Fotodiox)

    Top Notch Craftsmanship
    Premium Grade Fotodiox "Pro" Adapter
    Infinity Focus Guaranteed
    24 Month Manufacture Warranty
    "No Play" Adapter


  • Fotodiox Inc.

    Fotodiox PL-Rear-Cap Pro Rear Lens Cap for PL Lenses, Fits Arri, Arriflex, Aegenieux, Carl Zeiss, Zeiss, Cooke, Canon PL-Mount Lenses (Black)

    Photography (Fotodiox Inc.)
    List Price: $19.95

    24 Month Manufacturer Warranty
    Premium Grade Flexible Rubber
    Keeps lens mounts dust free
    Protects expensive lens mounts when not in use
    Easy to attach rear lens cap


  • Rokinon

    Rokinon 35mm T1.5 ED AS IF UMC Cine Wide Angle Lens for Olympus and Panasonic Micro 4/3 (MFT) Mount Digital Cameras (CV35M-MFT)

    Photography (Rokinon)
    List Price: $599.00

    Includes removable hood, lens caps, lens pouch and 1 year Rokinon warranty
    Ideal for video with de-clicked aperture and follow focus compatibility
    Aperture Range of T/1.5 - T/22; Minimum focusing distance of 0.85ft (0.25m)
    35mm fixed focal length; t/1.5-22 aperture range; Manual focus
    Super multi-layer coating to reduce flares and ghost images


  • Fotodiox Inc.

    Fotodiox Pro Lens Mount Adapter With Tripod Mount, Selected PL Movie Lens to Canon EOS 1d, 1ds, Mark II, III, IV, V, 7D, 5D, 5D Mark II, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi t1i, t2i,t3, t3i, 300D, 350D, 400D, 450D, 500d, 550D, 600D,1000d, 1100d

    Photography (Fotodiox Inc.)
    List Price: $399.95
    Price: $99.95
    You Save: $300.00 (75%)

    Premium Grade Fotodiox "Pro" Adapter, built-in Tripod Mount
    "No Play" Adapter, Infinity Focus Guaranteed
    Top Notch Craftsmanship
    24 Month Manufacture Warranty
    No Lens modification required.


  • Cinematics

    Cinematics Customized Pl Mount Cine Lens Tkn11-16mm F/2.8 Pl Cinematics V2 for Video Cameras

    Photography (Cinematics)

    0.8 modulus focus ring, help to focus more accurately
    Standard lens, manual mechanism and large rotation angle for precise control.
    Each customed film lenses presented a Φ114mm rubber lens protector, General CP.2 Zeiss lens.
    Support PL mount Video cameras
    Customized Cine lens Tokina 11-16mm f/2.8 PL Cinematics V2


  • XCSource

    XCSOURCE CCTV 25mm f/1.4 C Mount C-Mount TV Camera Lens + Micro M43 M4/3 Adapter for Olympus E-P2 E-PL2 E-P3 E-PL3 E-PL5 E-PM1 E-PM2 OM-D E-M5 E-M1 Panasonic Lumix DMC GF2 GF3 G3 G5 GF5 GH1 GH2 GX1 LF10

    Photography (XCSource)
    List Price: $49.99
    Price: $24.99
    You Save: $25.00 (50%)

    This CCTV Camera Lens provides ultra clear vision for your camera
    Product Information: This CCTV Lens features alloy casing with quality lens
    This len is a 25mm lens incorporates advanced optical elements to ensure all-around sharpness and efficient light conductivity
    It gives you the widest field of view image available with a C mount lens
    It is ideal for use in bars, shops, parking lots, houses and warehouse, etc


  • Fotodiox

    Vizelex ND Throttle Lens Mount Adapter from Fotodiox Pro - Nikon G (FX, DX & Older) Lens to Micro-4/3 Mount Cameras (such as OM-D E-M10, Lumix GH4, and Black Magic Pocket) - with Built-In Variable ND Filter (ND2-ND1000)

    Photography (Fotodiox)

    Rating (3 reviews):
    (4.3/5)
    Fotodiox

    Useful tool

    0 4/5 R. Neil Haugen - See all my reviews Verified Purchase(What's this?) This review is from: Vizelex ND Throttle Lens Mount Adapter from Fotodiox Pro - Nikon G (FX, DX & Older) Lens to Micro-4/3 Mount Cameras (such as OM-D E-M10, Lumix GH4, and Black Magic Pocket) - with Built-In Variable ND Filter (ND2-ND1000) (Accessory) Makes a great mating between my Gh3 and my Nikon full-frame lenses. Particularly handy for say stopping the lens down a stop or two or using the ND ring to pull light way down to use a shallow depth of field. Have not noted the color shifts that variable ND can at times cause. Would be better if the ND ring and the lens stop-down ring on this were not right against each other as one can easily move both when wanting to move only one. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , February 26, 2015

    Solid, convenient. Great match for M43 cameras.

    0 4/5 Joseph Moore "joe12south" (Brentwood, TN United States) - See all my reviews, October 3, 2014

    Perfect choise.

    0 5/5 Eduardo Abad - See all my reviews Verified Purchase(What's this?) This review is from: Vizelex ND Throttle Lens Mount Adapter from Fotodiox Pro - Nikon G (FX, DX & Older) Lens to Micro-4/3 Mount Cameras (such as OM-D E-M10, Lumix GH4, and Black Magic Pocket) - with Built-In Variable ND Filter (ND2-ND1000) (Accessory) Good quality. Fits perfectly between my Olympus OMD EM10 and all my Nikon D7000 lenses.The polarized filter and the neutral filter included in this device are an excellent plus.Highly recommended. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , January 14, 2015
    List Price: $149.95
    Price: $99.95
    You Save: $50.00 (33%)
    Premium Grade Fotodiox "Pro" Adapter
    Variable Density Range: ND2 - ND1000 (1 - 10 stops)
    Smooth surface for effortless mount
    24-Month Manufacturer Warranty
    Infinity Focus Guaranteed


Lenses and Filters