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421 pages

The Camera Assistant, A Complete Professional Handbook

Creator: Douglas Hart | Performing Arts - 2015-03-05

Figure 7-3 Arriflex Lens Mount. Arriflex has had three mounts in their history; the Standard mount is pretty much gone except for some elderly, privately owned cameras and lenses; the Bayonet is being phased out in favor of the PL mount in  ...

Publisher: CRC Press

About this book
Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Complete Professional Handbook explains both the practice and theory behind it with a concentration on technique rather than equipment. In addition, personal anecdotes from the author's years behind and beside the camera provide insight into this demanding field. Key topics include film formats and aspect ratios, testing lenses and camera equipment, focus theory, film loading and labeling, scene blocking, marking actors, shooting tips, slating, paperwork, equipment maintenance, set etiquette, and finding work. This is not a camera equipment handbook; it is a comprehensive procedures manual which describes and explains the most important responsibilities of the camera assistant on the set, the theory behind the practice, and the methods that get the job done properly and keep the assistant frequently employed. Douglas C. Hart has been a freelance first-camera assistant on feature films, documentaries, television shows, and commercials for more than 20 years, including 10 years (and 10 films) as first-camera assistant to Gordon Willis, ASC, as well as work in 42 states and 26 foreign countries. His work includes Presumed Innocent, Hannah and Her Sisters, The Cosby Mysteries, and CBS's Central Park West. He is a member and former president of the International Photographers Local 644, IATSE, and teaches the Camera Assistant Workshops at the International Film and Television Workshops in Rockport, Maine.



498 pages

Digital Cinematography, Fundamentals, Tools, Techniques, and Workflows

Creator: David Stump | Performing Arts - 2014-03-21

The 19–90mm Cabrio (ZK4.7x19) PL Mount Zoom features a detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENGStyle lens. With a 19–90mm focal range, a wide-open T-stop of 2.9, and a weight of 2.7  ...

Publisher: CRC Press

About this book
First published in 2014. Routledge is an imprint of Taylor & Francis, an informa company.



349 pages

Shooting Movies Without Shooting Yourself in the Foot, Becoming a Cinematographer

Creator: Jack Anderson | ART - 2011

With a twist-lock bayonet, insert the lens into the camera, then twist the lens to seat it. You'll hear a click. Again, try to pull the lens out. If it's locked in, you're good to go. The most common modern lens mount is a variation on the PL mount.

Publisher: Taylor & Francis

About this book
1 INTRODUCTION. -- Part 1: REALITIES OF PRE-PRODUCTION: 2 WHAT'S FIRST?: 2a FIRST EXERCISE: SHOOTING STILLS?; 2b WHAT YOU SHOULD LEARN FROM THE STILL PHOTOGRAPH EXERCISE. -- 3 WE'RE STILL READING THE SCRIPT. -- 4 A FEW MORE THINGS TO THINK OF. -- 5 SHOT LIST. -- 6 CREW. -- 7 LOCATIONS. -- 8 SELECTING A CAMERA. -- 9 SELECTING THE LENS. -- 10 SELECTING FILM STOCK. -- 11 SELECTING A TRIPOD AND HEAD. -- 12 WHAT EVERYONE ELSE IS DOING TO PREP. -- 13 THE NIGHT BEFORE. -- Part 2: PRODUCTION: 14 ON TIME AND READY TO SHOOT. -- 15 FIRST DAY/ FIRST SHOT. -- 16 SHOOTING MASTERS. -- 17 CLOSE-UPS AND COVERAGE: 17a SECOND EXERCISE: THE STANDARD SHOTS; 17b WHAT YOU SHOULD HAVE LEARNED FROM THE STANDARD SHOTS EXERCISE. -- 18 OPERATING THE CAMERA: 18a THIRD EXERCISE: OPERATING SKILLS; 18b WHAT YOU SHOULD HAVE LEARNED FROM THE OPERATING EXERCISES. -- 19 STILL MORE COMPOSITION or FOLLOW THE MONEY: 19a FIRST MOVIE EXERCISE: VISUAL STORYTELLING EDITED IN THE CAMERA; 19b WHAT YOU SHOULD HAVE LEARNED FROM THE EDITED-IN-THE-CAMERA EXERCISE. -- 20 THE HORROR OF THE 180o LINE. -- 21 THE GOOD, THE BAD, AND THE UGLY (Not necessarily in that order). -- 22 LEARNING THE HARDWARE. -- 23 WHY WE LIGHT. -- 24 EXPOSURE: 24a LIGHTING EXERCISE # 1 EMULSION TEST; 24b LIGHTING EXERCISE # 2 DIRECTION OF LIGHT; 24c LIGHTING EXERCISE # 3 QUALITY OF LIGHT; HOW DOES LIGHT VARY IN QUALITY?; 24d LIGHTING EXERCISE # 4 LIGHTING THE FACE, THE GREAT LANDSCAPE. -- 25 EXERCISE: SHOOTING YOUR PROJECT ON FILM: 25a WHAT YOU SHOULD HAVE LEARNED FROM THE SHOOTING ON FILM EXERCISE. -- Part 3: POST-PRODUCTION: 26 POST-PRODUCTION: TIMING AND TRANSFERRING. -- 27 POST-PRODUCTION: PUTTING TOGETHER A REEL. -- Part 4: TECHNICALITIES: 28 CAMERAS: BLACK BOXES. -- 29 LENSES: 29a THE ZEN OF FOCUSING; 29b THE MAGIC OF FILTERS. -- 30 FILM. -- 31 COLOR TEMPERATURE. -- 32 USING AND HANDLING FILM CAMERAS AND LENSES. -- 33 USING A TRIPOD AND HEAD. -- 34 THE DOLLY GRIP. -- 35 LABORATORY.


Lenses and Filters Directory

Lens mount - Wikipedia
A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body ...

Arri PL - Wikipedia
Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock". It is the successor mount to the Arri ...

DSMC Ti PL Mount (Captive) | RED Digital Cinema store (US)
The DSMC® Titanium PL Mount (Captive) enables you to use PL mount cinema lenses with your DSMC or DSMC2™ BRAIN®. A robust titanium construction and solid locking ...

Lensbaby
Shop award winning creative effect lenses, optics and accessories from Lensbaby. Limitless combinations of tools to capture the moment as it is happening.

Guide to Sony a7 a7R a7S a7II a7RII a7SII Lens Adapters ...
Ultimate guide to lens mount adapters for Leica R, Contax, Minolta, Canon & Hasselblad lenses on Sony a7 a7R a7S a7II a7RII a7SII mirrorless E-mount cameras


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Editor's picks


  • Rokinon

    3-Lens XEEN T1.5 PL Mount Set (24mm, 50mm & 85mm)

    Photography (Rokinon)
    List Price: $6,279.00

    Features Internal Focus Design, Dual Side Focus and T-Stop Scales
    24mm Lens Covers Full-Frame Sensors
    200° Focus Rotation
    Cinema Gearing for Focus and 11-Blade Iris
    114mm Front Diameter


  • Cinematics

    Customized cinematics Canon 70-200mm F2.8 PL mount cine lens for video camera

    Photography (Cinematics)

    Canon 70-200mm PL mount cine lens
    customized cinematics PL mount lens
    PL mount lens for video camera


  • Fotodiox Inc.

    Fotodiox Pro Rear Lens Cap for PL Lenses - fits Arri, Arriflex, Aegenieux, Carl Zeiss, Zeiss, Cooke, Canon PL-Mount Lenses

    Photography (Fotodiox Inc.)
    List Price: $19.95

    Keeps lens mounts dust free
    Easy to attach rear lens cap
    Protects expensive lens mounts when not in use
    24 Month Manufacturer Warranty
    Premium Grade Flexible Rubber


  • Fotodiox Inc.

    Fotodiox Pro Lens Mount Adapter - Arri PL (Positive Lock) Mount Lens to Canon EOS (EF, EF-S) Mount SLR Camera Body

    Photography (Fotodiox Inc.)
    List Price: $99.95

    No Play Adapter, Infinity Focus Allowed
    No Lens modification required
    24 Month Manufacture Warranty
    Premium Grade Fotodiox "Pro" Adapter, built-in Tripod Mount
    Top Notch Craftsmanship


  • Fotodiox Inc.

    Fotodiox Pro Lens Adapter, Arri PL Mount Lens to Sony E-mount Mirrorless Camera such as NEX VG-10, FS-700

    Photography (Fotodiox Inc.)

    Rating (4 reviews):
    (2.7/5)
    Fotodiox Inc.

    Could have damaged my a7S. Unusable.

    1/5 Tyler H.T. - See all my reviews Verified Purchase(What's this?) This review is from: Fotodiox Pro Lens Adapter, Arri PL Mount Lens to Sony E-mount Mirrorless Camera such as NEX VG-10, FS-700 (Electronics) The paint on the mount where it meets the contact immediately scrapes off after a couple days of normal use. This leads to exposed metal scraping against the electronic contacts inside the camera, causing it to act erratically and cutting itself during takes. I feel lucky that my camera wasn't permanently damaged.On top of that, I have been trying to contact Fotodiox for months to return the product, and I have gotten absolutely NO response. I regret to say I doubt I'll be buying another Fotodiox product again. Help other customers find the most helpful reviews  Was this review helpful to you? , January 19, 2015

    Pretty disappointed.

    2/5 Justin Gurnari - See all my reviews Verified Purchase(What's this?) This review is from: Fotodiox Pro Lens Adapter, Arri PL Mount Lens to Sony E-mount Mirrorless Camera such as NEX VG-10, FS-700 (Electronics) Works... So long as your PL lens has notches in all 4 leaves... The pin on the adaptor is in the 1030 position and should be located at 0130. Pretty disappointed. Help other customers find the most helpful reviews  Was this review helpful to you? , February 26, 2015

    Let me say that I love how innovative for Fotodiox try's to be with some ...

    1/5 Jeff - See all my reviews Verified Purchase(What's this?) This review is from: Fotodiox Pro Lens Adapter, Arri PL Mount Lens to Sony E-mount Mirrorless Camera such as NEX VG-10, FS-700 (Electronics) Let me say that I love how innovative for Fotodiox try's to be with some of there products, the problem, it stops there. I've bought two adapters from Fotodiox and in both cases I've sent them back. In my case the adapters just don't fit right. The last adapter, the one I'm righting the review on, nearly didn't come off. I had to use a pipe wrench to get the adapter off a $17000 lens. Not good!!It's really a shame because they seem to really put the effort in creating some cool things but as a professional, if I can't trust their adapters then how can I trust some of the other things they offer? Help other customers find the most helpful reviews  Was this review helpful to you? , June 13, 2015
    List Price: $119.95
    Infinity Focus Allowed
    24 Month Manufacturer Warranty
    Top Notch Craftsmanship
    Premium Grade Fotodiox "Pro" Adapter
    No Play Adapter


  • Fotodiox Inc.

    Fotodiox Pro Lens Mount Adapter, Pentacon 6/Kiev 66 Mount Lens to Arri PL (Positive Lock) Mount Camera (Arri Alexa, Arriflex D-21, Canon C300, AJA Cion, Blackmagic URSA, Blackmagic Cinema Camera)

    Photography (Fotodiox Inc.)
    List Price: $119.95

    Premium Grade Fotodiox "Pro" Adapter, Infinity Focus Guaranteed
    Smooth Surface for Effortless Mount and Tight Fit
    For Attaching Pentacon 6 or Kiev 66 Lenses to a PL Mount Camera Body
    24-Month Manufacturer Warranty
    All-Metal Design; Brass with Stainless Steel Finishing


  • Fotodiox Inc.

    Fotodiox Pro Lens Mount Adapter - Arri PL (Positive Lock) Mount Lens Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body

    Photography (Fotodiox Inc.)
    List Price: $119.95

    Premium Grade Fotodiox "Pro" Adapter
    Top Notch Craftsmanship
    No Play Adapter
    24 month manufacturer warranty
    Infinity Focus Allowed


  • Blackmagic Design

    Blackmagic Design URSA 4.6K PL | PL Lens Mount URSA 4.6K Digital Cinema Camera

    Photography (Blackmagic Design)
    List Price: $7,495.00

    Super 35 size sensor with 15 stops of dynamic range
    Designed for feature film, television commercials and more
    User Upgradeable Sensor and Mount
    Dual Recorders for Non Stop Recording
    All your on set equipment built into one portable design


  • CamKix

    CamKix Filter Pack for DJI Phantom 4 and 3 - Include 2 CamKix Neutral Density Filters (ND4 and ND8), a CamKix Circular Polarizer filter (CPL) and a CamKix cleaning cloth - Filter Storage Bag Included

    Toy (CamKix)

    ND FILTERS: The CamKix neutral density (ND) filter decreases the amount of light coming into the sensor (through the lens), without affecting the color of the image. This is ideal when you want to use lower shutter speeds in bright light, for example to avoid a washed out image of the sky.
    CAMKIX CINEMATIC FILTER PACK: This kit contains two neutral density filters (ND4 and ND8), a polarizing filter (PL), a nylon protective pouch with velcro seal and a cleaning cloth. The functionality and advantages of these filters are explained in the following texts and in the pictures.
    ENHANCED FOOTAGE: If the original source footage that you capture with your DJI Phantom camera is better, it will be easier to get enhanced results in post production. Using CamKix filters will help you achieve that.
    ND4 VERSUS ND8: A good rule for shooting a well balanced video with a natural motion blur is to aim for a shutter speed that is twice your framerate. But when the light meter of your DJI Phantom camera shows +3EV then you know that you are 3 stops over and you should install an ND8 to get the correct exposure. If you are 2 stops over (+2EV), you should use the ND4 filter.
    PL FILTER: The CamKix polarizing filter (PL) filters out scattered light from a certain angle to prevent reflections, for example in windows or water. So, when you keep the camera at that specific angle, you will get the best results.


Lenses and Filters