Digital photography - http://karedigital.com

Pl Mount Lens - Lenses and




   Pl Mount Lens - 682 items found  View more items

Pl Mount Lens - Bookshelf


368 pages

Shooting Movies Without Shooting Yourself in the Foot, Becoming a Cinematographer

Creator: Jack Anderson | 2011-08-19

Again, try to pull the lens out. If it's locked in, you're good to go. The most common modern lens mount is a variation on the PL mount. PL stands for positive lock, and it is. (Strictly speaking, only Arri and its licensees use PL ...

Publisher: Focal Press

About this book
Shooting Movies is the book for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. The book approaches the subject of cinematography from a “hands-on, in the trenches” viewpoint, as though the reader were an apprentice on the set. It's a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It's a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes.• Provides a mentorship-in-a-book approach not found any of the other technical guides to cinematography, using both film and video exercises• Written for filmmakers working on a budget• Unique exercises throughout the book provide the reader with an interactive experience that will give them a higher level of expertise and will improve the quality of their shooting, lighting, and reel--all on a budget• Learn the realty of filmmaking from the cinematographer's perspective• Companion website showcases video samples, visual demonstrations of the exercises in the book, and further video explanations of the concepts that are better explained visually



432 pages

The Dslr Filmmaker's Handbook, Real-World Production Techniques

Creator: Barry Andersson, Janie L. Geyen | Photography - 2011-11-30

Also, you need a special lens mount that is custom made and very hard to get your hands on. ... There is no way to use an adapter to mount a Canon lens onto a Nikon camera body. PL is a lens mount developed by Arri for use with both ...

Publisher: Sybex

About this book
A how-to guide for getting professional-quality video from your DSLRShooting HD Video with a video-enabled DSLR has many benefits and some tricky drawbacks that digital filmmakers and videographers can overcome to get professional results. "The DSLR Filmmaker's Handbook" helps filmmakers harness the HD video capabilities of their DSLRs to create professional-level video. Packed with professionally-tested techniques, this indispensible book serves as a training guide for the complex steps that must be taken before, during, and after filming. Teaches you the key tools and techniques for using your DSLR to shoot high-quality, professional-level videoDistills dense information about filmmaking and filters it down to easily understood granulesShows you what to expect and what to avoid with your DSLR and how to maximize the visual look of your filmShares tools and techniques that have been used in real-world, independent movie-making environments"The DSLR Filmmaker's Handbook" shows you how to overcome any tricky drawbacks that you may face while shooting HD video with your DSLR.



339 pages

Red, The Ultimate Guide to Using the Revolutionary Camera

Creator: Noah Kadner | Photography - 2009-08-31

You need a lens adaptorto convertthe RED's native PL-mount lens to the mount ofyour Canon or Nikon (covered next). TIP Watch out for still lenses billed as “ digitalonly,” such as the Nikon DX series and the Canon EF-S lenses.

About this book
With the release of the RED ONE" digital cinema camera, the possibility of recording stunning, cinematic-quality images with an affordable camera became a reality. Now that the industry has embraced the nascent technology and added new tools and workflows, filmmakers-from independents on up-are leading the charge on establishing new rules. Here to guide newcomers and RED veterans alike, popular trainer and filmmaker Noah Kadner picks up where the manual leaves off. You've got the basic operations down and now you'll learn how to use the camera in a production environment and discover the various options in post. Using a clear, objective approach, he offers best-practice advice on utilizing RED's proprietary tools, explains the workflows for Final Cut Studio, Avid, and Premiere Pro, and gives workaround solutions where needed. Well-known filmmakers and industry leaders share their own bleeding-edge production methodologies throughout, offering a rare view into this exciting new world of filmmaking. Here are just a few things you'll learn to do: "Build a RED package that fits your budget "Set up for sound recording and learn which audio tools to use "Achieve the optimal exposure using RED's onboard tools and external gear "Edit your footage with step-by-step instructions for Avid, Final Cut Pro, and Premiere Pro "Work color correction into your HD, film, or Web projects "Prep your project for output and archive your footage "Learn from pros such as Rodney Charters, ASC (DP, 24), Simon Duggan, ACS (DP, Knowing), Albert Hughes (Director, The Book of Eli), and many others using RED "Stay up-to-date and download additional resources at the companion Web site at www.peachpit.com/red "If you want to dive in and starting using the RED, look no further. This book is the next best thing to having a top-notch production crew with RED experts working by your side." -Arthur Albert, Director of Photography, ER "An essential guide loaded with knowledge, I recommend it as the first purchase for any filmmaker who is thinking about owning or currently owns the RED." -Rodney Charters, ASC, Director of Photography, 24 "If you're planning to shoot with the RED camera, this is the book to get!" -Rob Cohen, Director, The Fast and the Furious "Noah Kadner takes the best practices of using the RED camera and shares them with the rest of us in this indispensable guide." -Simon Duggan, ACS, Director of Photography, Live Free or Die Hard, Knowing "Written in an easy-to-follow style, yet thorough in covering everything from production to postproduction to making money from your investment, this is a book that should be on every filmmaker's desk and in their kit bag." -Norman Hollyn, Film Editor, Instructor, and author of The Lean Forward Moment "If you want to see how the pros are using the RED camera, you need this book." -Nancy Schreiber, ASC, Cinematographer, Every Day


Lenses and Filters Directory

Arri PL - Wikipedia, the free encyclopedia
Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock". It is the successor mount to the Arri ...

Lens mount - Wikipedia, the free encyclopedia
A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body ...

Canon EOS C500 4K Cinema Camera (PL Lens Mount) 6346B002 B&H
The Canon EOS C500 4K Cinema Camera (PL Lens Mount) represents Canon's first foray into the world of 4K digital cinema production. Sharing a sensor with the earlier ...

Lens Mount Adapters | B&H Photo Video
Browse B&H for a vast selection of Pro Camcorder Lens Mount Adapters from top brands like Zeiss, FotodioX, MTF Services Ltd and Century Precision Optics.

Canon U.S.A. : Professional Imaging Products : Cinema Lenses
Designed for EF-Mount and PL-Mount Cinema Cameras, Canon Cinema Zoom Lenses offer a wide range of features and benefits, including full 4K production performance.


ADVANCED PRODUCT FINDER

    Don't see what you're looking for?

Editor's picks

  • Zeiss

    Zeiss Compact Prime CP.2 100 f/2.1 Makro-Planar T* (Feet) PL Bayonet Mount Lens

    Photography (Zeiss)

    Full-frame coverage (24 x 36mm ) for focal lengths 21 to 100 mm, including a 50 mm macro lens
    Common aperture of T2.1 for the standard lens set
    No need for adapter solutions anymore
    Interchangeable mount allows a mix of HDSLR systems with traditional cine cameras
    High stability due to support bracket, which is included for additional lens stability


  • Molex

    Woodhead 8550P Machine Light, Industrial Duty, Flourescent Bulb, 13W Lamp Wattage, Screw-Bracket Mount Type, Clear Polycarbonate Lens Material, PL13/41 Lamp Type

    BISS (Molex)

    Fixed mounting or temporary magnet mounting provide flexibility to fit different machines
    Choose from fluorescent or halogen to suit the application
    Flexible neck designs allow for pinpoint accuracy in directing light where it is needed most


  • Photography Accessories INC

    Fotasy L5014 50MM F1.4 TV Lens for Sony NEX/Panasonic/Olympus MFT M4/3 and Fuji FX Cameras

    Photography (Photography Accessories INC)
    List Price: $52.99
    Price: $36.99
    You Save: $16.00 (30%)

    This lens is good for Portrait Photography, but it not good for Landscape Photography. The sharpness in the center is fine, but the border is soft. It looks like a tilt lens.
    Lens Mount: C / 16MM / Cine. Focus Operation: Manual; Aperture Operation: Manual Aperture: F1.4 - F22
    Please note lens adapter is not included. User need to buy a C Mount Lens Adapter for their Mirror less Cameras
    User can use it on Sony NEX E-Mount / Panasonic Olympus MFT M4/3 Mount/ Fuji FX Mount/ Nikkor N1 Mount/ Canon EOS-M Mount Mirror less Cameras. ( note additional lens adapter needed)
    Brand Name: Fotasy


  • china

    35mm F1.7 C Mount CCTV Lens For M4/3 E-P2 E-PL2 G2 GF2 GH2 NEX-3

    CE (china)


  • JeabJJ Shopping

    35mm F1.7 C Mount CCTV Lens For M4/3 E-P2 E-PL2 G2 GF2 GH2 NEX-3

    Single Detail Page Misc (JeabJJ Shopping)

    Angle of view: 13.8 / Object distance: 30cm -infinite
    Aperture:F1.7-C
    Mount type : C mount
    Focal length : 35mm
    Iris/ Focus operation: manual


  • PL

    Lens Cover for Mount For GoPro Hero3 White Edition , Hero3+ Black Edition , Hero3+ Silver Edition Camera Go Pro Hero 3+ , Hero 3 + , Hero 3 Video Camera Camcorder

    Wireless (PL)
    List Price: $17.99
    Price: $14.99
    You Save: $3.00 (17%)

    US SELLER. FAST SHIPPING. Brand New Items!
    No camera or other parts!!! The item is as pictured at the first picture!
    Lens Cover for Mount For GoPro Hero3 White Edition , Hero3+ Black Edition , Hero3+ Silver Edition Camera Go Pro Hero 3+ , Hero 3 + , Hero 3 Video Camera Camcorder


  • Fotodiox

    Fotodiox Pro Lens Mount Adapter, Mamiya 645 Mount Lens - Micro 4/3 Camera Camcorder Adapter, fits for Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, Panasonic AG-AF100

    Photography (Fotodiox)

    Rating (1 reviews):
    (4.0/5)
    Fotodiox

    It works fine.

    0 4/5 hpl - See all my reviews Verified Purchase(What's this?) This review is from: Fotodiox Pro Lens Mount Adapter, Mamiya 645 Mount Lens - Micro 4/3 Camera Camcorder Adapter, fits for Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, Panasonic AG-AF100 (Electronics) With the adapter, we now can use our old Mamiya 645 lenses on our GH2 instead of letting them gathering dust. Images taken with the Mamiya lenses are not as sharp as with the Lumix lenses but they have a 'creamy' texture probably will work quite well for portraits. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , March 20, 2013
    Infinity Focus Guaranteed
    24 Month Manufacture Warranty
    Premium Grade Fotodiox "Pro" Adapter
    "No Play" Adapter
    Top Notch Craftsmanship


  • Molex

    Woodhead 8550M Machine Light, Industrial Duty, Flourescent Bulb, 13W Lamp Wattage, Magnet Mount Type, Clear Polycarbonate Lens Material, PL13/41 Lamp Type

    BISS (Molex)

    Fixed mounting or temporary magnet mounting provide flexibility to fit different machines
    Flexible neck designs allow for pinpoint accuracy in directing light where it is needed most
    Choose from fluorescent or halogen to suit the application


  • Optronics

    6" Oval GloLight LED Stop/Turn/Tail Light, 22 Super Diode with Grommet and PL3 connector - Clear with Red LED's

    Automotive Parts and Accessories (Optronics)

    Rating (2 reviews):
    (5.0/5)
    Optronics

    Very Bright Stop/Turn/Tail Light

    0 5/5 K. R. Merryman (Missouri) - See all my reviews, June 29, 2014

    I put two of these on my flatbed pick up ...

    0 5/5 root - See all my reviews Verified Purchase(What's this?) This review is from: 6" Oval GloLight LED Stop/Turn/Tail Light, 22 Super Diode with Grommet and PL3 connector - Clear with Red LED's I put two of these on my flatbed pick up and they are bright, day or night. going to order two more for my dads pick up. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , June 29, 2014
    List Price: $34.99
    Price: $16.00
    You Save: $18.99 (54%)
    Grommet and PL3 Connected included
    Stand out with GloLight technology
    Sonically Sealed, Waterproof
    SMD LED Technology, 22 LED's with GloLight
    DOT Compliant (FMVSS STI and P2)


  • EzFoto

    EzFoto C-Mount Cine Movie lens to M4/3 MFT Mount Adapter, fits Olympus E-P1 E-P2 E-P3 E-PL1 E-PL2; Panasonic Lumix G1 G2 G3 G10 GF1 GF2 GF3 GH1 GH2 GH3

    Photography (EzFoto)
    List Price: $39.99
    Price: $7.07
    You Save: $32.92 (82%)

    Professional designed C-Mount Cine Movie lens (such as Schneider, Kodak, Bolex, Zeiss, Canon, Fujinon, movie lens) to MFT M4/3 Micro 4/3 adapter ring
    There is no electrical contacts in the extension tubes. Exposure has to be adjusted manually. Aperture control is not available if you use a lens which does not allow you to manually adjust the aperture (without an aperture ring).
    Pls Note: Lens with max. inner diameter of 37.2mm (lenses with max. near-thread diameter of 37.2mm all can fit well without any modification); Lens with near-thread diameter larger than 37.2mm but smaller than 49.2mm still can fit, but will not focus to infinity!
    For Olympus E-P1 E-P2 E-P3 E-PL1 E-PL2; Panasonic Lumix G1 G2 G3 G10 GF1 GF2 GF3 GH1 GH2 GH3
    Allows lens focus to infinity. The actual focus distance may not be the same as distance show on lens. User need to use LCD for correct focus.


Lenses and Filters