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Pl Mount Lens - Lenses and

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Pl Mount Lens - Bookshelf

368 pages

Shooting Movies Without Shooting Yourself in the Foot, Becoming a Cinematographer

Creator: Jack Anderson | 2011-08-19

Again, try to pull the lens out. If it's locked in, you're good to go. The most common modern lens mount is a variation on the PL mount. PL stands for positive lock, and it is. (Strictly speaking, only Arri and its licensees use PL ...

Publisher: Focal Press

About this book
Shooting Movies is the book for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. The book approaches the subject of cinematography from a “hands-on, in the trenches” viewpoint, as though the reader were an apprentice on the set. It's a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It's a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes.• Provides a mentorship-in-a-book approach not found any of the other technical guides to cinematography, using both film and video exercises• Written for filmmakers working on a budget• Unique exercises throughout the book provide the reader with an interactive experience that will give them a higher level of expertise and will improve the quality of their shooting, lighting, and reel--all on a budget• Learn the realty of filmmaking from the cinematographer's perspective• Companion website showcases video samples, visual demonstrations of the exercises in the book, and further video explanations of the concepts that are better explained visually

432 pages

The Dslr Filmmaker's Handbook, Real-World Production Techniques

Creator: Barry Andersson, Janie L. Geyen | Photography - 2011-11-30

Also, you need a special lens mount that is custom made and very hard to get your hands on. ... There is no way to use an adapter to mount a Canon lens onto a Nikon camera body. PL is a lens mount developed by Arri for use with both ...

Publisher: Sybex

About this book
A how-to guide for getting professional-quality video from your DSLRShooting HD Video with a video-enabled DSLR has many benefits and some tricky drawbacks that digital filmmakers and videographers can overcome to get professional results. "The DSLR Filmmaker's Handbook" helps filmmakers harness the HD video capabilities of their DSLRs to create professional-level video. Packed with professionally-tested techniques, this indispensible book serves as a training guide for the complex steps that must be taken before, during, and after filming. Teaches you the key tools and techniques for using your DSLR to shoot high-quality, professional-level videoDistills dense information about filmmaking and filters it down to easily understood granulesShows you what to expect and what to avoid with your DSLR and how to maximize the visual look of your filmShares tools and techniques that have been used in real-world, independent movie-making environments"The DSLR Filmmaker's Handbook" shows you how to overcome any tricky drawbacks that you may face while shooting HD video with your DSLR.

339 pages

Red, The Ultimate Guide to Using the Revolutionary Camera

Creator: Noah Kadner | Photography - 2009-08-31

You need a lens adaptorto convertthe RED's native PL-mount lens to the mount ofyour Canon or Nikon (covered next). TIP Watch out for still lenses billed as “ digitalonly,” such as the Nikon DX series and the Canon EF-S lenses.

About this book
With the release of the RED ONE" digital cinema camera, the possibility of recording stunning, cinematic-quality images with an affordable camera became a reality. Now that the industry has embraced the nascent technology and added new tools and workflows, filmmakers-from independents on up-are leading the charge on establishing new rules. Here to guide newcomers and RED veterans alike, popular trainer and filmmaker Noah Kadner picks up where the manual leaves off. You've got the basic operations down and now you'll learn how to use the camera in a production environment and discover the various options in post. Using a clear, objective approach, he offers best-practice advice on utilizing RED's proprietary tools, explains the workflows for Final Cut Studio, Avid, and Premiere Pro, and gives workaround solutions where needed. Well-known filmmakers and industry leaders share their own bleeding-edge production methodologies throughout, offering a rare view into this exciting new world of filmmaking. Here are just a few things you'll learn to do: "Build a RED package that fits your budget "Set up for sound recording and learn which audio tools to use "Achieve the optimal exposure using RED's onboard tools and external gear "Edit your footage with step-by-step instructions for Avid, Final Cut Pro, and Premiere Pro "Work color correction into your HD, film, or Web projects "Prep your project for output and archive your footage "Learn from pros such as Rodney Charters, ASC (DP, 24), Simon Duggan, ACS (DP, Knowing), Albert Hughes (Director, The Book of Eli), and many others using RED "Stay up-to-date and download additional resources at the companion Web site at "If you want to dive in and starting using the RED, look no further. This book is the next best thing to having a top-notch production crew with RED experts working by your side." -Arthur Albert, Director of Photography, ER "An essential guide loaded with knowledge, I recommend it as the first purchase for any filmmaker who is thinking about owning or currently owns the RED." -Rodney Charters, ASC, Director of Photography, 24 "If you're planning to shoot with the RED camera, this is the book to get!" -Rob Cohen, Director, The Fast and the Furious "Noah Kadner takes the best practices of using the RED camera and shares them with the rest of us in this indispensable guide." -Simon Duggan, ACS, Director of Photography, Live Free or Die Hard, Knowing "Written in an easy-to-follow style, yet thorough in covering everything from production to postproduction to making money from your investment, this is a book that should be on every filmmaker's desk and in their kit bag." -Norman Hollyn, Film Editor, Instructor, and author of The Lean Forward Moment "If you want to see how the pros are using the RED camera, you need this book." -Nancy Schreiber, ASC, Cinematographer, Every Day

Lenses and Filters Directory

Arri PL - Wikipedia, the free encyclopedia
Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock". It is the successor mount to the Arri ...

Lens mount - Wikipedia, the free encyclopedia
A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body ...

Zeiss CP.2 Lens Mount Change From PL To Canon EF. « Wide ...
Scott Selenak from Birns & Sawyer, Hollywood shows how to quickly change a Zeiss CP.2 lens mount from PL to Canon EF. It’s as easy as removing a few torx screws ...

Canon EOS C500 4K Cinema Camera (PL Lens Mount) 6346B002 B&H
Buy Canon EOS C500 4K Cinema Camera (PL Lens Mount) features 4K RAW (4096 x 2160) Output, PL Lens Mount to Accept Cinema Lenses. Review Canon Camcorders, Professional ...

Abakus 132 Converter Lens - B4 Lens to Super 16mm PL Mount 120
The Abakus 132 Converter is a lens mount converter for Super 16mm cameras utilizing the PL mount. This adapter attaches to the PL mount and allows that camera to use ...


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Editor's picks

  • Zeiss

    Zeiss Compact Prime CP.2 100 f/2.1 Makro-Planar T* (Feet) PL Bayonet Mount Lens

    Photography (Zeiss)

    No need for adapter solutions anymore
    Interchangeable mount allows a mix of HDSLR systems with traditional cine cameras
    Full-frame coverage (24 x 36mm ) for focal lengths 21 to 100 mm, including a 50 mm macro lens
    Common aperture of T2.1 for the standard lens set
    High stability due to support bracket, which is included for additional lens stability

  • Molex

    Woodhead 8550P Machine Light, Industrial Duty, Flourescent Bulb, 13W Lamp Wattage, Screw-Bracket Mount Type, Clear Polycarbonate Lens Material, PL13/41 Lamp Type

    BISS (Molex)

    Fixed mounting or temporary magnet mounting provide flexibility to fit different machines
    Flexible neck designs allow for pinpoint accuracy in directing light where it is needed most
    Choose from fluorescent or halogen to suit the application

  • Fotodiox

    Fotodiox Pro Lens Mount Adapter, Arri PL Mount Lens to Micro 4/3 Camera Camcorder Adapter, fits for Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, Panasonic AG-AF100, fits all Zeiss, Cooke and others

    Photography (Fotodiox)

    "No Play" Adapter
    Premium Grade Fotodiox "Pro" Adapter
    Top Notch Craftsmanship
    Infinity Focus Guaranteed
    24 Month Manufacture Warranty

  • Photography Accessories INC

    Fotasy AMCB 16MM Cine Movie Lens to Micro Four Thirds M43 MFT System Camera Mount Adapter

    Photography (Photography Accessories INC)
    List Price: $17.99
    Price: $7.90
    You Save: $10.09 (56%)

    Designed for Panasonic G1 G2 G3 G5 GH1 GH2 GH3 GF1 GF2 GF3 GF5 GF6 GX1 GX2 Olympus E-P1 E-P2 E-P3 E-P5 E-PL1 E-PL2 E-PL3 EPL5 EM-P1 EM-P2 EMD Cameras and new models
    Smooth surface, strong structure.
    There are no electrical contacts in the adapter ring. Exposure and focus has to be adjusted manually.
    Allows Bolex 16MM Cine Movie lens to be used on Olympus Panasonic MFT Micro M43 cameras body.
    Brand Name: Fotasy

  • JeabJJ Shopping

    35mm F1.7 C Mount CCTV Lens For M4/3 E-P2 E-PL2 G2 GF2 GH2 NEX-3

    Single Detail Page Misc (JeabJJ Shopping)

    Iris/ Focus operation: manual
    Mount type : C mount
    Angle of view: 13.8 / Object distance: 30cm -infinite
    Focal length : 35mm

  • Shenzhen Innovative Solutions Co., Ltd.

    Large 50mm f1.4 CCTV Lens + C Mount + 2 Marco Rings for Olympus PEN E-PL5 E-PM3 E-PM2 E-P3 E-PL3 E-PM1 E-PL2 E-PL1s E-PL1 E-P2 E-P1

    Photography (Shenzhen Innovative Solutions Co., Ltd.)
    List Price: $166.99
    Price: $83.99
    You Save: $34.00 (40%)

    It is ideal for use in bars, shops, parking lots, houses and warehouse, etc.
    This CCTV Camera Lens provides ultra clear vision for your camera.
    This CCTV Lens features alloy casing with quality lens.
    Brand New 50mm F1.4 C Mount CCTV Lens (black)
    It gives you the widest field of view image available with a C mount lens.

  • china

    35mm F1.7 C Mount CCTV Lens For M4/3 E-P2 E-PL2 G2 GF2 GH2 NEX-3

    CE (china)

  • Photography Accessories INC

    Fotasy L5014 50MM F1.4 TV Lens for Sony NEX/Panasonic/Olympus MFT M4/3 and Fuji FX Cameras

    Photography (Photography Accessories INC)
    List Price: $52.99
    Price: $36.99
    You Save: $16.00 (30%)

    Brand Name: Fotasy
    Please note lens adapter is not included. User need to buy a C Mount Lens Adapter for their Mirror less Cameras
    User can use it on Sony NEX E-Mount / Panasonic Olympus MFT M4/3 Mount/ Fuji FX Mount/ Nikkor N1 Mount/ Canon EOS-M Mount Mirror less Cameras. ( note additional lens adapter needed)
    This lens is good for Portrait Photography, but it not good for Landscape Photography. The sharpness in the center is fine, but the border is soft. It looks like a tilt lens.
    Lens Mount: C / 16MM / Cine. Focus Operation: Manual; Aperture Operation: Manual Aperture: F1.4 - F22

  • Yasuhara

    Hot Sale 2014 Yasuhara Nanoha Lenses 4x-5x Super Macro Lens for Olympus Mirrorless Digital Camera Micro Four Thirds System for M 4/3 Mount Olympus Om-d E-m5 PEN E-pm1 E-pm2 E-pl3 E-pl5 E-p3

    Health and Beauty (Yasuhara)

  • MECO Co.,LTD

    Macro Extension Tube Ring Micro 4/3 M4/3 EP3 GF1 E-PL1 GF2 G1 EPM1 G3 Mount Camera

    Photography (MECO Co.,LTD)

    Panasonic LumixG1,GF1,GH1,etc.
    Ideal for macro photography
    3 Extension tubes: 9mm 16mm 30mm.
    Material: metal(All-metal body provides maximum durability).
    Compatible with:Olympus E-P1,E-P2,E-PL1,etc.

Lenses and Filters