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Pl Mount Lens - Lenses and




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Pl Mount Lens - Bookshelf


368 pages

Shooting Movies Without Shooting Yourself in the Foot, Becoming a Cinematographer

Creator: Jack Anderson | 2011-08-19

Again, try to pull the lens out. If it's locked in, you're good to go. The most common modern lens mount is a variation on the PL mount. PL stands for positive lock, and it is. (Strictly speaking, only Arri and its licensees use PL ...

Publisher: Focal Press

About this book
Shooting Movies is the book for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. The book approaches the subject of cinematography from a “hands-on, in the trenches” viewpoint, as though the reader were an apprentice on the set. It's a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It's a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes.• Provides a mentorship-in-a-book approach not found any of the other technical guides to cinematography, using both film and video exercises• Written for filmmakers working on a budget• Unique exercises throughout the book provide the reader with an interactive experience that will give them a higher level of expertise and will improve the quality of their shooting, lighting, and reel--all on a budget• Learn the realty of filmmaking from the cinematographer's perspective• Companion website showcases video samples, visual demonstrations of the exercises in the book, and further video explanations of the concepts that are better explained visually



432 pages

The Dslr Filmmaker's Handbook, Real-World Production Techniques

Creator: Barry Andersson, Janie L. Geyen | Photography - 2011-11-30

Also, you need a special lens mount that is custom made and very hard to get your hands on. ... There is no way to use an adapter to mount a Canon lens onto a Nikon camera body. PL is a lens mount developed by Arri for use with both ...

Publisher: Sybex

About this book
A how-to guide for getting professional-quality video from your DSLRShooting HD Video with a video-enabled DSLR has many benefits and some tricky drawbacks that digital filmmakers and videographers can overcome to get professional results. "The DSLR Filmmaker's Handbook" helps filmmakers harness the HD video capabilities of their DSLRs to create professional-level video. Packed with professionally-tested techniques, this indispensible book serves as a training guide for the complex steps that must be taken before, during, and after filming. Teaches you the key tools and techniques for using your DSLR to shoot high-quality, professional-level videoDistills dense information about filmmaking and filters it down to easily understood granulesShows you what to expect and what to avoid with your DSLR and how to maximize the visual look of your filmShares tools and techniques that have been used in real-world, independent movie-making environments"The DSLR Filmmaker's Handbook" shows you how to overcome any tricky drawbacks that you may face while shooting HD video with your DSLR.



339 pages

Red, The Ultimate Guide to Using the Revolutionary Camera

Creator: Noah Kadner | Photography - 2009-08-31

You need a lens adaptorto convertthe RED's native PL-mount lens to the mount ofyour Canon or Nikon (covered next). TIP Watch out for still lenses billed as “ digitalonly,” such as the Nikon DX series and the Canon EF-S lenses.

About this book
With the release of the RED ONE" digital cinema camera, the possibility of recording stunning, cinematic-quality images with an affordable camera became a reality. Now that the industry has embraced the nascent technology and added new tools and workflows, filmmakers-from independents on up-are leading the charge on establishing new rules. Here to guide newcomers and RED veterans alike, popular trainer and filmmaker Noah Kadner picks up where the manual leaves off. You've got the basic operations down and now you'll learn how to use the camera in a production environment and discover the various options in post. Using a clear, objective approach, he offers best-practice advice on utilizing RED's proprietary tools, explains the workflows for Final Cut Studio, Avid, and Premiere Pro, and gives workaround solutions where needed. Well-known filmmakers and industry leaders share their own bleeding-edge production methodologies throughout, offering a rare view into this exciting new world of filmmaking. Here are just a few things you'll learn to do: "Build a RED package that fits your budget "Set up for sound recording and learn which audio tools to use "Achieve the optimal exposure using RED's onboard tools and external gear "Edit your footage with step-by-step instructions for Avid, Final Cut Pro, and Premiere Pro "Work color correction into your HD, film, or Web projects "Prep your project for output and archive your footage "Learn from pros such as Rodney Charters, ASC (DP, 24), Simon Duggan, ACS (DP, Knowing), Albert Hughes (Director, The Book of Eli), and many others using RED "Stay up-to-date and download additional resources at the companion Web site at www.peachpit.com/red "If you want to dive in and starting using the RED, look no further. This book is the next best thing to having a top-notch production crew with RED experts working by your side." -Arthur Albert, Director of Photography, ER "An essential guide loaded with knowledge, I recommend it as the first purchase for any filmmaker who is thinking about owning or currently owns the RED." -Rodney Charters, ASC, Director of Photography, 24 "If you're planning to shoot with the RED camera, this is the book to get!" -Rob Cohen, Director, The Fast and the Furious "Noah Kadner takes the best practices of using the RED camera and shares them with the rest of us in this indispensable guide." -Simon Duggan, ACS, Director of Photography, Live Free or Die Hard, Knowing "Written in an easy-to-follow style, yet thorough in covering everything from production to postproduction to making money from your investment, this is a book that should be on every filmmaker's desk and in their kit bag." -Norman Hollyn, Film Editor, Instructor, and author of The Lean Forward Moment "If you want to see how the pros are using the RED camera, you need this book." -Nancy Schreiber, ASC, Cinematographer, Every Day


Lenses and Filters Directory

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Products Illumina S16 8mm T1.3 (PL) $129.00 for 6 Days Available Today. Illumina S16 9.5mm T1.3 (PL) $121.00 for 6 Days Available Today. Duclos Tokina 11-16mm f/2.8 (PL)

Arri PL - Wikipedia, the free encyclopedia
Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock". It is the successor mount to the Arri ...

Lens mount - Wikipedia, the free encyclopedia
A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body ...

pl zoom lens | eBay - Electronics, Cars, Fashion ...
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ADVANCED PRODUCT FINDER

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Editor's picks

  • Zeiss

    Zeiss Compact Prime CP.2 25mm/T2.1 T (Feet) Lens with PL Bayonet Mount

    Photography (Zeiss)

    Full frame coverage (CP.2 18mm only APS-H)
    Standard focus and iris gear positions
    Interchangeable Mount
    Consistent front diameter (except of 50 Macro)
    Robust cine style housing with the ability to utilize follow-focus


  • Fotodiox

    Fotodiox Pro Lens Mount Adapter, Arri PL Mount Lens to Sony NEX Camera Camcorder Adapter, fits Sony NEX-3, NEX-5, NEX-5N, NEX-7, NEX-7N, NEX-C3, NEX-F3, Sony Camcorder NEX-VG10, VG20, FS-100, FS-700, fits all Zeiss, Cooke and others

    Photography (Fotodiox)

    Premium Grade Fotodiox "Pro" Adapter
    "No Play" Adapter
    24 Month Manufacture Warranty
    Infinity Focus Guaranteed
    Top Notch Craftsmanship


  • Fotodiox

    Fotodiox Pro Lens Mount Adapter, Arri PL Mount Lens to Micro 4/3 Camera Camcorder Adapter, fits for Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, Panasonic AG-AF100, fits all Zeiss, Cooke and others

    Photography (Fotodiox)

    Rating (1 reviews):
    (4.0/5)
    Fotodiox

    Nice built

    0 4/5 Pedro Rey (Coconut Grove, FL United States) - See all my reviews Verified Purchase(What's this?) This review is from: Fotodiox Pro Lens Mount Adapter, Arri PL Mount Lens to Micro 4/3 Camera Camcorder Adapter, fits for Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, Panasonic AG-AF100, fits all Zeiss, Cooke and others (Electronics) Nicely built as you would expect from the pro grade adapters of Fotodiox.Have not tested thoroughly with my GH2. 0 Help other customers find the most helpful reviews  Was this review helpful to you? , January 12, 2013
    Infinity Focus Guaranteed
    Premium Grade Fotodiox "Pro" Adapter
    "No Play" Adapter
    Top Notch Craftsmanship
    24 Month Manufacture Warranty


  • EzFoto

    EzFoto C-Mount Cine Movie lens to M4/3 MFT Mount Adapter, fits Olympus E-P1 E-P2 E-P3 E-PL1 E-PL2; Panasonic Lumix G1 G2 G3 G10 GF1 GF2 GF3 GH1 GH2 GH3

    Photography (EzFoto)
    List Price: $39.99
    Price: $7.07
    You Save: $32.92 (82%)

    There is no electrical contacts in the extension tubes. Exposure has to be adjusted manually. Aperture control is not available if you use a lens which does not allow you to manually adjust the aperture (without an aperture ring).
    Allows lens focus to infinity. The actual focus distance may not be the same as distance show on lens. User need to use LCD for correct focus.
    For Olympus E-P1 E-P2 E-P3 E-PL1 E-PL2; Panasonic Lumix G1 G2 G3 G10 GF1 GF2 GF3 GH1 GH2 GH3
    Pls Note: Lens with max. inner diameter of 37.2mm (lenses with max. near-thread diameter of 37.2mm all can fit well without any modification); Lens with near-thread diameter larger than 37.2mm but smaller than 49.2mm still can fit, but will not focus to infinity!
    Professional designed C-Mount Cine Movie lens (such as Schneider, Kodak, Bolex, Zeiss, Canon, Fujinon, movie lens) to MFT M4/3 Micro 4/3 adapter ring


  • Fotasy

    Fotasy ARRI Arriflex PL Mount Lens to Sony E-Mount NEX Camera Adapter

    Photography (Fotasy)
    List Price: $199.99
    Price: $107.33
    You Save: $92.66 (46%)

    Fotasy Copright
    Fits ARRI Arriflex PL Mount Lens
    Allow lens Focus to infinity
    Compatible with Sony NEX-VG10 NEX-3 NEX-5 NEX-C3 NEX-5N NEX-7N NEX-VG30 NEX-VG30H NEX-VG20 NEX-VG10 adapter
    Solid metal mount lens adapter allows ARRI Arriflex PL Mount Lens to be used on Sony E-Mount NEX camera body.


  • Neewer

    Neewer® M42 Screw Mount Lens to Micro 4/3 Four Thirds System Camera Mount Adapter, fits Olympus PEN E-P1 P2 P3 P5 E-PL1 PL1s PL2 PL3 PL5 PL6 E-PM1 PM2 OM-D E-M5 E-M1 Panasonic Lumix DMC-GH1 GH2 GH3 GX7 G1 G2 G10 G3 G5 G6 GF1 GF2 GF3 GF5 GF6 GX1 GM

    Photography (Neewer)

    M42 Mount lens to Olympus/Panasonic micro 4/3(Micro Four thirds)adapter.
    There is no ROM connection on the ring so diaphragm control of the lens is set manually.
    Material: Anodized Aluminum metal
    It is possible to use macro rings and other accessaries.
    For Olympus PEN E-P1 E-P2 E-P3 E-PL1 E-PL2 E-PL3 E-PM1 OM-D E-M5, Panasonic Lumix DMC-GF1, GF2, Gf3, GF5, GH1, GH2, G1, G2, G3, G5


  • Neewer

    25mm f/1.4 C Mount CCTV Lens for Sony NEX-3 NEX-5 C-NEX & Canon, Nikon, Olympus EP-1, E-P2, E-PL1, Panasonic G, GH, GF C-M4/3

    Photography (Neewer)


  • Fotasy

    Fotasy M3517 35MM F1.7 TV Movie Lens and Lens Adapter Kit for Olympus Panasonic MFT Micro 4/3 M43 Cameras

    Photography (Fotasy)

    Rating (59 reviews):
    (4.3/5)
    Fotasy

    Great for what it is

    This is a quirky little lens that will give you unconventional but appealing results. I use it with my E-PL2. It is very fast and the focal length is very useful for m4/3. However, the results are pretty terrible by conventional standards. Sharpness is pretty good in the center but extremely poor towards the edges. There is considerable vignetting. At larger apertures, it is fairly smooth and pleasing (if you like the effect in general), but when you stop down (especially to f8, the smallest marked aperture) it has a much harder transition and I avoid it. The vignetting is much less at aspect ratios other than the native 4:3. With the large maximum aperture, you can get very narrow depth of field especially at close distances, and the bokeh is pretty crazy and swirly.The build of both lens and adapter is all metal, and while it doesn't feel particularly high quality, it doesn't feel too cheap either. The aperture and focus rings turn smoothly enough. Strangely... 5/5 Curtis Menton - See all my reviews, August 11, 2011

    Fun, Fast, Funky, with lots of Flare

    This Fujian 35mm 1.7 C-mount CCTV lens with Micro Four Thirds adapter is the best $35 I ever spent on a brand new lens.It's fun to use, if you enjoy manual focus lenses. The focus movement is smooth. At f/1.7 it a fast lens so it can be useful in low light situations. However, this lens is unpredictably prone to huge amounts of flare that often ruins the shot. I think it has 37mm filter threading so if you spent another $10 for a 37mm lens hood (I didn't) you might be able to avoid some of the conditions that make it flare. The filter threading does not rotate with the focus ring, so it looks like you could use a rectangular hood. Even so, that might not help. Closing down the aperture simply draws the flare into the center of the shot.The aperture is stepless, which could be useful for video on occasion. The aperture settings are not marked to a reference point so it's not easy to tell exactly what setting you're on. I scratched an aperture reference point... 3/5 Lincoln F. Brigham Jr. "Lincoln" (San Diego, CA USA) - See all my reviews, November 6, 2012

    amazing lens for the price

    0 5/5 Jeffrey Stiver "RaisedByRobots81" (USA) - See all my reviews, December 17, 2012
    List Price: $45.99
    This lens is good for Portrait Photography, but it not good for Landscape Photography. The sharpness in the center is fine, but the border is soft. It looks like a tilt lens.
    Fits Panasonic G1 G2 G3 G5 GH1 GH2 GH3 Gh4 GF1 GF2 GF3 GF5 GF6 GX1 GX2 GX7 GM1 Olympus E-P1 E-P2 E-P3 E-P5 E-PL1 E-PL2 E-PL3 EPL5 OM-D E-M1 E-M5 E-M10 E-PM2 E-PM1
    Brand Name: Fotasy
    Lens Mount: C / 16MM / Cine. Focus Operation: Manual; Aperture Operation: Manual Aperture: F1.7 - F16
    Package includes (1) 35MM F1.7 lens and (2) C - M4/3 adapter.


  • Zowaysoon

    DSLR Micro 4/3 MFT Adapter Mount PL Lens to M43 For BMCC BPMCC GH4 With M43 Port

    Photography (Zowaysoon)

    DSLR PL Lens Mount to Micro 4/3 MFT Adapter Mount M43 For BMCC BPMCC With M43 Port GH1 GH2
    Suitable for all kinds of PL lens, fully supports film series PL lens, can be adopt by Micro 4/3 cameras and HD professional camcoders.
    Application Cameras: Panasonic GF & GH series, Olympus M43 series, BMCC, BMPC, BMPCC with M43 port.
    Made by CNC machine


  • Photography Accessories INC

    Fotasy AMAF Sony Minolta MA AF Lens to Micro Four Thirds M4/3 MFT System Camera Mount Adapter (Black)

    Photography (Photography Accessories INC)
    List Price: $59.99

    Brand Name: Fotasy
    Smooth Surface, Strong Structure, No-Play Locking
    There are no electrical contacts in the adapter ring. Exposure and focus has to be adjusted manually.
    This adapter has an Aperture Control Ring, allows user to set the designed aperture of the Sony Minolta MA AF Lens
    Designed for Panasonic G1 G2 G3 G5 GH1 GH2 GH3 GF1 GF2 GF3 GF5 GF6 GX1 GX2 Olympus E-P1 E-P2 E-P3 E-P5 E-PL1 E-PL2 E-PL3 EPL5 EM-P1 EM-P2 EMD Cameras and new models


Lenses and Filters